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PIPE
ORGANS OF
TEMPLE
SQUARE
SALT
LAKE CITY,
UTAH
|
 |
| Conference
Center Organ -- Specification |
| Builder: |
Schoenstein & Co., San Francisco,
California, USA |
| Opus no.: |
139 |
| Case: |
Cherry, constructed by Fetzers,
Inc., Salt Lake City, Utah |
| Console type: |
mobile (5-manual and
pedal open American-style case with adjustable bench and adjustable
music rack all of cherry; console platform with rollers and position
lock) |
| Stop controls: |
drawknob (polished ebony drawknobs
with ivory resin faces and brass shanks) |
| Keyboards: |
bone- and ebony-covered manual keys
with articulated touch |
| Pedals type: |
concave, radiating |
| Key action: |
electro-pneumatic |
| Stop action: |
electric |
| Temperament: |
Equal |
| Tuning: |
A-440 |
| No. of speaking stops: |
103 |
| No. of ranks: |
130 |
| No. of pipes: |
7667 |
| Wind power: |
electric, 6 Ventus
blowers with total of 33 h.p. |
Wind pressures:
(in inches/mm.) |
Choir: 140; Great: 140, 190; Swell:
140, 250; Solo: 250, 375; Orchestral: 250, 375; Pedal: 140, 190,
250, 375 |
I Choir (Enclosed; C-c4; 61) (Choir stops grouped
in this list by tonal family)
| 16 |
Bass Viol |
(open; metal; 68 pipes) |
| 8 |
Viola Pomposa |
(open; metal; 68 pipes) |
| 8 |
Viola Celeste |
(open; metal; 68 pipes) |
| 8 |
Echo Gamba |
(open; metal; 68 pipes) |
| 8 |
Gamba Celeste |
(open; metal; 68 pipes) |
| 8 |
Viol d'orchestre |
(open; metal; 68 pipes) |
| 8 |
Viol cèleste |
(open; metal; 68 pipes) |
| 16 |
Lieblich Bourdon |
(stopped; wood and metal;
68 pipes) |
| 8 |
Lieblich Bourdon |
(12 pipes; ext of
Lieblich Bourdon 16) |
| 8 |
Concert Flute |
(open; wood and metal; 68 pipes) |
| 4 |
Nachthorn |
(open, slotted; metal; 68 pipes) |
| 2 2/3 |
Nazard |
(stopped; metal; 61 pipes) |
| 2 |
Harmonic Piccolo |
(open; metal; 61 pipes) |
| 1 3/5 |
Tierce |
(open; metal; 61 pipes) |
| 8 |
Echo Diapason |
(open; metal; 68 pipes) |
| 4 |
Fugara |
(open; metal; 68 pipes) |
| 2 2/3 |
Twelfth |
(open; metal; 61 pipes) |
| 2 |
Fifteenth |
(open; metal; 61 pipes) |
| 1 1/3 |
Nineteenth |
(open; metal; 61 pipes) |
| 1 |
Twentysecond |
(open; metal; 61 pipes) |
| 16 |
Flügel Horn |
(12 pipes; ext of Flügel Horn 8) |
| 8 |
Trumpet |
(68 pipes) |
| 8 |
Flügel Horn |
(68 pipes) |
| 8 |
Cromorne |
(68 pipes) |
| 4 |
Rohr Schalmei |
(68 pipes) |
|
Tremulant |
| 8 |
Tuba Mirabilis |
(from Orchestral) |
| 8 |
Millennial Trumpet |
(from Solo) |
|
Harp |
(61 generators) |
|
Celesta |
(61 generators) |
| 32 |
Dulciana |
(metal; open; 61 pipes) |
| 16 |
Double Open Diapason |
(metal; open; 61 pipes) |
| 16 |
Bourdon |
(wood; stopped; 61 pipes) |
| 8 |
Large Open Diapason |
(metal; open; 61 pipes) |
| 8 |
Open Diapason |
(metal; open; 61 pipes) |
| 8 |
Small Open Diapason† |
(metal; open; 61 pipes) |
| 8 |
Gamba † |
(metal; open; 61 pipes) |
| 8 |
Harmonic Flute † |
(metal; open; 61 pipes) |
| 8 |
Doppelflöte † |
(wood; stopped; 61 pipes) |
| 8 |
Chimney Flute † |
(metal; stopped; 61 pipes) |
| 4 |
Principal |
(metal; open; 61 pipes) |
| 4 |
Octave |
(metal; open; 61 pipes) |
| 4 |
Gemshorn † |
(metal; open; 61 pipes) |
| 4 |
Forest Flute † |
(metal; open; 61 pipes) |
| 2 2/3 |
Twelfth |
(metal; open; 61 pipes) |
| 2 |
Fifteenth |
(metal; open; 61 pipes) |
| 1 3/5 |
Seventeenth |
(metal; open; 61 pipes) |
| 2 |
Full Mixture IV-V |
(metal; open; 266 pipes) |
| 2 |
Mixture IV |
(metal; open; 215 pipes) |
| 1 1/3 |
Sharp Mixture III † |
(metal; open; 175 pipes) |
| 16 |
Bass Trumpet |
(61 pipes) |
| 8 |
Trumpet |
(61 pipes) |
| 4 |
Clarion |
(61 pipes) |
|
Tremulant |
(affects stops marked with †, as
well as treble pipes of 32' Dulciana and 16' Bourdon) |
| 8 |
Tuba Mirabilis |
(from Orchestral) |
| 8 |
Millennial Trumpet |
(Solo) |
|
Les cloches de Hinckley |
(32 generators) |
|
Cymbelstern |
(digitally sampled) |
| 16 |
Double Open
Diapason |
(metal; open; 68 pipes) |
| 16 |
Bourdon |
(wood; stopped; 68 pipes) |
| 8 |
Open Diapason |
(metal; open; 68 pipes) |
| 8 |
Silver Flute |
(metal; open; 68 pipes) |
| 8 |
Stopped Diapason |
(wood; stopped; 68 pipes) |
| 8 |
Viole de gambe |
(metal; open; 68 pipes) |
| 8 |
Viole cèleste |
(metal; open; 68 pipes) |
| 8 |
Flauto Dolce |
(metal; open; 68 pipes) |
| 8 |
Flute Celeste |
(metal; open; 56 pipes; TC) |
| 4 |
Principal |
(metal; open; 68 pipes) |
| 4 |
Harmonic Flute |
(metal; open; 68 pipes) |
| 2 |
Fifteenth |
(metal; open; 61 pipes) |
| 2 2/3 |
Cornet III |
(metal; open; 183 pipes) |
| 2 |
Plein jeu V |
(metal; open; 276 pipes) |
| 32 |
+Contra Fagotto |
(68 pipes) |
| 16 |
Bombarde |
(68 pipes) |
| 16 |
+Fagotto |
(12 pipes; ext of Contra Fagotto 32) |
| 8 |
Trompette |
(68 pipes) |
| 8 |
+Cornopean |
(68 pipes) |
| 8 |
Oboe |
(68 pipes) |
| 8 |
Voix humaine |
(61 pipes; independent tremulant draws
with Voix humaine stop knob) |
| 4 |
Clairon harmonique |
(68 pipes) |
| 4 |
+Clarion |
(68 pipes) |
|
Tremulant |
(does not affect
high-pressure stops or Voix humaine) |
+ranks marked with a "+" are
on higher wind pressure
| 8 |
Stentor
Diapason |
(open; metal; 61 pipes) |
| 8 |
Phonon Diapason |
(from Orchestral) |
| 8 |
Symphonic Flute |
(open; metal; 61 pipes) |
| 4 |
Principal |
(open; metal; 61 pipes) |
| 4 |
Octave |
(from Orchestral) |
| 2 2/3 |
Quint Mixture V |
(open; metal; 288 pipes) |
| 2 |
*Tierce Mixture IV-VI |
(open; metal; 309 pipes) |
| 16 |
*Bass Tuba |
(61 pipes) |
| 8 |
*Tuba |
(61 pipes) |
| 4 |
*Tuba Clarion |
(61 pipes) |
| 8 |
*Tuben III |
(incorporates 16' Bass Tuba, 8' Tuba,
and 4' Tuba Clarion at 8' pitch) |
| 8 |
French Horn |
(61 pipes) |
| 8 |
Cor Anglais |
(from Orchestral) |
| 8 |
Clarinet |
(from Orchestral) |
| 8 |
Millennial Trumpet |
(61 pipes; unenclosed) |
|
Tremulant |
(affects all stops except
"Grand Solo," Millennial Trumpet) |
|
Variable Tremulant |
(affects same stops as
main Tremulant) |
|
Orchestral Harp |
(61 generators) |
|
Orchestral Bells |
(61 generators) |
|
Celestial Chimes |
(32 generators) |
*ranks marked with an "*" are
part of "Grand Solo" subdivision located within an inner swell
box
| 16 |
Tibia Clausa |
(12 pipes; ext of Tibia Clausa 8) |
| 8 |
Phonon Diapason |
(metal; open; 61 pipes) |
| 8 |
Tibia Clausa |
(wood; stopped; 61 pipes) |
| 8 |
Stentor Gamba |
(metal; open; 61 pipes) |
| 8 |
Celeste |
(metal; open; 61 pipes) |
| 4 |
Octave |
(12 pipes; ext of Phonon Diapason 8) |
| 4 |
Tibia Clausa |
(12 pipes; ext of Tibia Clausa 8) |
| 2 2/3 |
Tibia Twelfth |
(ext of Tibia Clausa 8) |
| 2 |
Tibia Piccolo |
(12 pipes; ext of Tibia
Clausa 8) |
| 1 3/5 |
Tibia Tierce |
(ext of Tibia Clausa 8) |
| 16 |
Clarinet |
(61 pipes) |
| 8 |
Tuba Horn |
(61 pipes) |
| 8 |
Clarinet |
(12 pipes; ext of Clarinet 16) |
| 8 |
Cor Anglais |
(61 pipes) |
| 8 |
Orchestral Oboe |
(61 pipes) |
| 8 |
Vox Humana |
(61 pipes); independent
tremulant draws with Vox Humana stop knob) |
| 8 |
Tuba Mirabilis |
(61 pipes; unenclosed) |
|
Tremulant |
(affects Phonon Diapason
8; Stentor Gamba 8; Celeste 8; Clarinet 16; Orchestral Oboe 8; Cor
Anglais 8; also affects Tuba Horn 8, which has its own Wurlitzer
tremolo) |
|
Variable Tremulant |
(affects same stops as
main Tremulant, with the exception of the Tuba Horn 8 |
|
Tibia Tremulant |
|
| 64 |
Gamba |
(4 pipes; to GGGGG#; ext.
of Gamba 16) |
| 32 |
Diaphone |
(open; wood; 12 pipes;
ext of Diaphone 16) |
| 32 |
Diapason |
(open; metal; 12 pipes;
ext of Diapason 16) |
| 32 |
Gamba |
(open; metal; 12 pipes;
ext of Gamba 16) |
| 32 |
Dulciana |
(from Great Dulciana 32) |
| 32 |
Sub Bass |
(stopped; wood; 12 pipes;
ext of Sub Bass 16) |
| 16 |
Diaphone |
(open; wood; 32 pipes) |
| 16 |
Open Wood |
(open; wood; 32 pipes) |
| 16 |
Diapason |
(open; metal; 32 pipes) |
| 16 |
Great Diapason |
(from Great Double Open
Diapason 16) |
| 16 |
Swell Diapason |
(from Swell Double Open
Diapason 16) |
| 16 |
Violone |
(open; wood; 32 pipes) |
| 16 |
Gamba |
(open; metal; 32 pipes) |
| 16 |
Bass Viol |
(from Choir Bass Viol 16) |
| 16 |
Dulciana |
(from Great Dulciana 32) |
| 16 |
Sub Bass |
(stopped; wood; 32 pipes) |
| 16 |
Tibia Clausa |
(from Orchestral Tibia Clausa 8) |
| 16 |
Bourdon |
(from Swell Bourdon 16) |
| 16 |
Lieblich Bourdon |
(from Choir Lieblich Bourdon 16) |
| 10 2/3 |
Quint |
(open; metal; 32 pipes) |
| 8 |
Open Wood |
(12 pipes; ext of Open Wood 16) |
| 8 |
Principal |
(open; metal; 32 pipes) |
| 8 |
Gamba |
(12 pipes; ext of Gamba 16) |
| 8 |
Flute |
(open; metal; 32 pipes) |
| 8 |
Bass Viol |
(from Choir Bass Viol 16) |
| 8 |
Sub Bass |
(12 pipes; ext of Sub Bass 16) |
| 8 |
Bourdon |
(from Swell Bourdon 16) |
| 8 |
Lieblich Bourdon |
(from Choir Lieblich Bourdon 16) |
| 4 |
Choral Bass |
(open; metal; 32 pipes) |
| 4 |
Octave Flute |
(open; metal; 32 pipes) |
| 4 |
Bass Viol |
(from Choir Bass Viol 16) |
| 2 2/3 |
Rauschquinte II |
(open; metal; 64 pipes) |
| 1 1/3 |
Mixture III |
(open; metal; 96 pipes) |
| 64 |
Trombone |
(4 pipes; to GGGGG#; ext
of Trombone 16) |
| 32 |
Trombone |
(12 pipes; ext of Trombone 16) |
| 32 |
Contra Fagotto |
(from Swell Contra Fagotto 32) |
| 16 |
Trombone |
(32 pipes) |
| 16 |
Bass Tuba |
(from Solo Bass Tuba 16) |
| 16 |
Bombarde |
(from Swell Bombarde 16) |
| 16 |
Bass Trumpet |
(from Great Bass Trumpet 16) |
| 16 |
Fagotto |
(from Swell Fagotto 16) |
| 16 |
Flügel Horn |
(from Choir Flügel Horn 16) |
| 16 |
Clarinet |
(from Orchestral Clarinet 16) |
| 8 |
Tromba |
(32 pipes) |
| 8 |
Bass Tuba |
(from Solo Bass Tuba 16) |
| 8 |
Bombarde |
(from Swell Bombarde 16) |
| 8 |
Bass Trumpet |
(from Great Bass Trumpet 16) |
| 8 |
Fagotto |
(from Swell Contra Fagotto 32) |
| 8 |
Flügel Horn |
(from Choir Flügel Horn 8) |
| 8 |
Clarinet |
(from Orchestral Clarinet 16) |
| 4 |
Tromba |
(12 pipes; ext of Tromba 8) |
| 4 |
Bass Trumpet |
(from Great Bass Trumpet 16) |
| 4 |
Cromorne |
(from Choir Cromorne 8) |
|
Pizzicato Bass |
(plays Open Wood 16 at 8'
pitch through pizzicato relay) |
|
Tower Chimes |
(32 generators) |
Choir to Choir 16, 4, unison off
Swell to Swell 16, 4, unison off
Solo to Solo 16, 4, unison off
Orchestral to Orchestral 16, -8, 4, unison off
Inter-manual couplers:
Swell to Choir 16, 8, 4
Solo to Choir 8
Orchestral to Choir 8
Choir to Great 16, 8, 4
Swell to Great 16, 8, 4
Solo to Great 16, 8, 4
Orchestral to Great 16, 8, 4
Orchestral to Solo 8
Solo to Orchestral 8
Choir to Pedal 8, 4
Great to Pedal 8
Swell to Pedal 8, 4
Solo to Pedal 8, 4
Orchestral to Pedal 8, 4
Special Couplers
Pedal Tutti to Choir 8
Pedal Tutti to Swell 8
Great Tutti to Solo 8
Pedal Divide A (deactivates pedal couplers on notes 1-12 and pedal stops
on notes 13-32)
Pedal Divide B (deactivates pedal couplers on notes 1-17 and pedal stops
on notes 18-32)
Pedal Divide C (deactivates pedal couplers on notes 1-20 and pedal stops
on notes 21-32)
Swell to Great Sforzando (activated by toe lever)
Solo to Great Sforzando (activated by toe lever)
MIDI
MIDI on Choir
MIDI on Great
MIDI on Swell
MIDI on Solo
MIDI on Orchestral (prepared for velocity-sensitive keying)
MIDI on Pedal
- Manufactured by Peterson
- 99 memory levels
- General pistons:
- General 0, 1-20 (1-5 and 11-15
duplicated by toe studs; 1-3, 5-7, and 13-15 duplicated on right
side of keyboards)
- Divisional pistons (divisional pistons
affect all couplers to divisions):
- Choir 0, 1-8
- Great 0, 1-8
- Swell 0, 1-8
- Solo 0, 1-8
- Orchestral 0, 1-8
- Pedal 0, 1-8 (duplicated on thumb
pistons under Manual I)
- Programmable piston sequencer
- Pedal combinations on manual pistons
optional
*Solo to Great (toe)
*Choir to Pedal (thumb)
*Great to Pedal (thumb and toe)
*Swell to Pedal (thumb and toe)
*Solo to Pedal (thumb)
*Orchestral to Pedal (thumb)
64' Contra Trombone (toe)
64' Gamba (toe)
32' Trombone (toe)
32' Diaphone (toe)
32' Fagotto (toe)
32' Sub Bass (toe)
Cymbelstern (thumb and toe)
Manual I/II exchange (thumb) with indicator light
Full Organ (thumb and toe) with indicator light (independently settable on
each memory level)
*coupler reversibles affect sub and super couplers in off mode
- Five balanced pedals with selector knobs
on nameboard to assign functions as follows:
| Pedal A |
Orchestral |
Grand Solo |
Solo |
MIDI |
|
| Pedal B |
Choir |
Grand Solo |
Orchestral |
|
|
| Pedal C |
Swell |
Grand Solo |
Orchestral |
Choir |
Solo |
| Pedal D |
Solo |
Grand Solo |
Orchestral |
Choir |
|
| Pedal E |
Crescendo |
Grand Solo |
Tremulants |
|
|
- Six programmable pistons (A-F) which
affect only the expression selector knobs (99 memory levels)
- "Standard expression" piston
to revert all expression selector knobs to default positions
- "Standard expression"
indicator light (LED)
- Crescendo (4 memory levels)
- Crescendo bar graph indicator
- MIDI Interface - In/Out
- MIDI out from each keyboard
- top manual velocity sensitive
- MIDI expression out on balanced
pedal A for all six channels
- MIDI sound modules built into
console
- Record/playback sequencer prepared for
remote control operation
- Air fan
- Auditorium system P.A. speaker in
console
- Clock/timer
- "Console power only" on/off
switch for silent practice with combination action
- Coupler light with dimmer
- Intercom stations for auditorium/choir
system and organ tuning system
- Multiplex system with multiple plug
points on platform and in rehearsal/storage area
- Music light in music rack base
- Non-traditional controls located in
drawers under the key desk
- Pedal light with dimmer
- Prepared for TV monitor
- Special master indicator light operating
parallel with the most important individual indicator lights
- "Stand by" and "On the
Air" signals
- Technician call button
- Temperature monitoring recording system
for all divisions, blower and console
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This site is maintained by
Richard Elliott,
who is solely responsible for its content.
This is not an official publication of the Church of Jesus Christ of
Latter-day Saints.
©2000 Richard Elliott
(This page was last updated on 23 September 2003 )
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